I have always liked Coldplay. There is something inherently honest-seeming about their faces, and I liked how once they got paid, they could afford to steal (in the most loving way) from other bands who also got paid — there is something much less offensive, I think, about people who own homes with nice linens and stuff taking artistic cues from other people who own homes with nice linens. For that reason, when I smell a texture taken pretty explicitly from Sigur Rós or Arcade Fire, it feels like a lateral homage rather than the ugly “who did it first” business we suffer through in the discourses surrounding borrowing from people who are, perhaps, slightly less paid.
What I like about this new album, Ghost Stories, the band’s sixth, is how unchallenging it is. I don’t mean this in a snarky way; it is unchallenging in the way a conversation with an old friend always has an ease and fluency to it. The rhymes are so symmetrical, so square, that you can predict the end of the line based on the first word alone. The musical phrases are similar: listen to the hook that begins “Ink” — it’s a little curlicue of a phrase that could only do one thing, and it does it confidently. Very satisfying.